Valckenburgh personally-profited: gold and slaves. Valckenburgh with the trade items from which the company-and Vertangen painted West India Company (WIC) director-general Jan At the height of Dutch wealth and intercontinental trade (the “Golden Age” of the Republic), Daniel Valuable commodities from abroad also make an appearance Gold, silver, porcelain, fruits, and spices are tantalizingly displayed in these sumptuous settings, their novelty heightened by the surface sheen of the multiple layers of oil glaze.1 Eachĭetail is carefully depicted, each different surface texture described,Įxemplifying an aspect of the “mapping impulse” Svetlana AlpersĬonsiders characteristic of seventeenth-century Dutch art.2 Where the Dutch were then trading: in the East, India, Indonesia,Īnd China and in the West, Africa, the Caribbean, and North and Still lifes from the 1630s andġ640s such as those by Jan Davidsz de Heem, Willem Kalf, or WillemĬlaesz Heda show diverse commodities from the multiple places In the Dutch Republic of the seventeenth century, merchantsĮmployed visual culture to demonstrate their involvement in overseas trade and show off their wealth. TO INFORM AND DELIGHT: THE COMMODIFICATION Published by State University of New York Pressįor additional information about this articleĪccess provided by University of Calgary ( 17:48 GMT) To Inform and Delight: The Commodification of Travel Images
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